<< HOME

fave quotes

"Sing, O muse, of the rage of Achilles, son of Peleus, that brought countless ills upon the Achaeans." (Book 1)

"Unperturbed, mighty Diomedes answered him: 'Typical archer--loud mouth, all hairstyle and bedroom eyes!'" (Book 11)

"I wish I could be as angry as I am brave, so I could cut you up and eat you raw for what you have done to me." (Book 22)

"The gods spin threads of sorrow for us mortals, while they themselves live free from care." (Book 24)

"No man or woman born, coward or brave, can shun his destiny. No one can hurry me down to Hades before my time, but if a man's hour is come, be he brave or be he coward, there is no escape for him when he has once been born. His descent was like nightfall. Come, Friend, you too must die." (Book 22)

"Let me not then die ingloriously and without a struggle, but let me first do some great thing that shall be told among men hereafter." (Book 22)

"We men are wretched things." (Book 24)

"Even a fool may be wise after the event." (Book 17)

"Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another." (Book 9)

further reading

The Reading Project: Homer & the Epic Cycle - The Reading Project's overview and analysis of the Iliad and other pieces of the Epic Cycle.

The Odyssey - Homer's sequel following Odysseus' journey home.

Stephen Fry's Troy - An accessible, mostly faithful retelling of the Trojan War/Epic Cycle.

The Song of Achilles - Madeline Miller's take on Achilles and Patroclus.

RANGO'S ILIAD SHRINE [WIP]

WHAT THE HECK IS THE ILIAD?

TRIGGER WARNINGS: war, violence, sexual slavery.

The Iliad, a major Greek epic poem by Homer, is like sex, if sex were actually good (I say that a lot, but it's true). Divided into 24 'books' or chapters, The Iliad is often regarded as one of the earliest and most significant pieces of Western literature, and one of the few that is still widely read and enjoyed by modern audiences. It's also known as, in my opinion, the best BL in history. This bad boy's got everything: tragic and doomed yaoi, big and beefy Greek dudes, petty gods, epic rap-battles and battle-battles, and enough toxic masculinity to make my vegan cousin pass out.

The events of the Iliad take place roughly 9 years since the start of the Trojan War, prompted by Paris of Troy kidnapping King Menelaus of Sparta's wife, Helen, after being promised her hand in marriage by Aphrodite. Bound by an oath, Menelaus' bros arm themselves and sail to Asia Minor to retrieve his wife from Paris' pretty boy twink hands. At the time of The Iliad, the Greeks have successfully ransacked the cities and towns surrounding Troy; mostly thanks to this blond dude named Achilles. He's kind of a dick (actually, a major dick) but he also happens to be the main protagonist of the epic and an indespensible asset to the Greeks. Since beaching upon Troy's shores 9 years ago, the great walls of Ilion have been impregnable... for now.

This Achilles guy in question gets majorly pissed off by Agamemnon; the brother of Menelaus, king of Mycenae, and the commander of the Greek armies. Agamemnon insults him by taking away his war prize (aka bang maid or sex slave) Briseis as compensation for having to give up his own slave, Chriseis, to appease Apollo. In response, Achilles goes on strike and holes up in his tent, wrapped up like an angry blond burrito. He cries to his mother, a Nereid known as Thetis, about how gosh darn unfair the situation is and how he wishes to spite Agamemnon by dooming everyone (thanks Achilles). Thetis goes to Zeus and successfully compells him to support the Trojans--thus causing the Greeks to lose and forcing them recognise how badly they've wronged Achilles.

The several chapters that follow describe how the scales begin to tip towards the Trojans due to Achilles' absence and the command of Hector, one of many princes of Troy. Diomedes, Ajax, Agamemnon, and Odysseus in particular tear through the Trojans with some help from Athena and Hera--though eventually, they get benched too. Without them, the Greeks begin to lose against the Trojans badly, so Achilles' best childhood buddy and definitely-not-boyfriend; Patroclus, disguises himself as Achilles. Patroclus leads the Greeks into battle in his boyfriend's clothes, but is killed by Prince Hector of Troy after Apollo knocks off his helmet and reveals his identity to the Trojans. What ensues soon after is Achilles' infamous rage. Achilles slaughters the Trojans, fights the river, kills Hector, and drags his body by chariot around Troy. King Priam, Hector's father, is forced to plead to Achilles for the return of his son's body. Achilles relents, and the epic concludes with the Trojans mourning Hector's death.

A LOT happens in between, before, and after these events--but this is the general gist of it. The many tales of the Trojan War are covered by several different poems and books; the Iliad is merely one chapter of it.

WHY THE ILIAD?

It's quite difficult for me to describe why I like this thousands-of-years-old poem to someone who has likely never read it before. Mostly because my brain refuses to let go of it. Autism has this funny little habit of making me latch onto random hyperfixations like a barnacle to a boat, and for reasons I don’t understand, The Iliad became one of them. Some people collect stamps. I collect obscure knowledge about Mycenaean siege warfare, Bronze Age social customs, and whether or not Diomedes and Odysseus were exploring each other's bodies (probably).

It’s also the themes of The Iliad that resonate so strongly. This is not just a story about war, but about grief, pride, rage, honor, and the weight of fate. The characters are constantly caught between their personal desires and the expectations of their society--something I think anyone who’s ever tried to exist as a person can relate to. Achilles' sulking rage, Hector's crushing sense of duty, and Priam's heartbreaking plea for his son's body are all deeply human moments that transcend cultures and time. It’s not hard to see ourselves in their victories and failures, even if most of us don’t have to deal with Bronze Age warfare on a daily basis.

Death is not some distant, abstract concept in The Iliad. It is constant, intimate, and often casual. Warriors are introduced and immediately speared through the throat and kings beg for their children's corpses. Fate, in this world, is both inescapable and arbitrary: even the greatest hero knows his days are numbered. Achilles is fully aware that participating in the Trojan War and avenging Patroclus will cost him his own life. Hector knows he's doomed before he ever faces Achilles, but goes out anyway because duty and honour demand it. The gods may meddle, but in the end, everyone else pays for it.

There’s comfort in that honesty. Life is fragile. We center our lives around duty, love, and/or glory, but none of it can hold death at bay. One day, my friends and family will die, and it will ruin me, and I cannot stop it from happening. But I choose to love them anyway even if loving them will make their departure so much more painful. In the face of that inevitability, the characters of the Iliad choose to act: to fight, to mourn, to love, to rage in spite of it. It's kind of... hopeful?

What makes The Iliad even more relevant is how little human nature has changed when it comes to war. Thousands of years later we are left with the same senseless cycles of violence, ego, and collateral damage that define modern conflict. Nations still march to war over pride and power. Innocents still suffer while leaders argue. Soldiers are still caught between orders and conscience. The Iliad is a mirror of the ugliest sides of humanity.

So, it's a weird interest. But frankly, if you're going to get obsessed with something, it might as well be something that features divine temper tantrums, homoerotic tension, existential dread, and some of the most beautiful poetry ever written.

Oh, and also--I really want to fuck Diomedes.

layout credit: repth